Le prompt de MiniMax elle-même, et la raison d’être de cette page. Il fait deux choses que rien d’autre ici ne fait. D’abord il nomme la ressemblance : les particules de cacao, les ondulations de la mousse et les volutes du liquide sont décrites comme les crêtes de dune et l’érosion éolienne de la seconde image — on dit donc au modèle où se trouve le raccord au lieu de le laisser l’inventer. Ensuite il ferme toutes les sorties : Strictly avoid screen cracking, no black screen, no hard cuts, no obvious special effects, no sense of splicing, puis pour finir One continuous shot, no splicing in the middle. Son audio revient en 32 kHz, la signature propre de ce modèle.
@Image 1 The shot quickly pushes into the detail of the coffee surface's milk foam, cocoa powder particles, and dark coffee liquid texture, letting the surface particles, foam, and liquid ripples gradually cover the entire screen, obscuring everything else. The shot maintains a realistic macro texture, extremely shallow depth of field, with fine powder slowly falling in backlight, the surface texture like a transition between fine sand and fluid. Avoid screen cracking. At the moment the coffee powder particles, milk foam undulations, liquid swirls are highly similar to the sand dune ridges, wind erosion textures, and blowing sand particles in @Image 2, naturally and seamlessly transform into a desert landscape. Then the shot continues to push forward, revealing the full view of the sand dunes from @Image 2. Strictly avoid screen cracking, no black screen, no hard cuts, no obvious special effects, no sense of splicing. Overall, it should be real, quiet, restrained, like the same granular material naturally changing from the coffee's microscopic surface into a macroscopic desert world. One continuous shot, no splicing in the middle.
